InFanfarebyAaron Meacham·Jun 27, 2022I Watched Matt Walsh’s ‘What Is a Woman’ So You Don’t Have ToHow the documentary failed and what can be learned from itA response icon15A response icon15
InFanfarebyAaron Meacham·Sep 23, 2021Nightbooks and the Evolution of HorrorHow David Yarovesky blends past and present through family-friendly horrorA response icon1A response icon1
InFanfarebyAaron Meacham·Mar 2, 2021Coming to a New AmericaThe legacy of the 1988 romantic comedy in the America of 2021A response icon1A response icon1
InFanfarebyAaron Meacham·Feb 23, 2021The Map of Tiny Perfect Things Strikes GoldHow Ian Samuels covers new ground in a well-worn tropeA response icon1A response icon1
InFanfarebyAaron Meacham·Feb 9, 2021The Ignorance of Mike Cahill’s BlissThe sacrifice of meaning for mystery
InThe POMbyAaron Meacham·Jan 26, 2021The New American Dream of Amanda Gorman’s ‘The Hill We Climb’How the poet connects America’s past to its future.A response icon3A response icon3
InThe Writing CooperativebyAaron Meacham·Jan 16, 20215 Benefits of Reading Your Work AloudHow to improve your writing through speaking and listening.A response icon6A response icon6
Aaron Meacham·Jan 14, 2021QAnon Book Report: HamletA conspiracy theorist’s reading of classical literature.A response icon1A response icon1
InThe Apeiron BlogbyAaron Meacham·Jan 6, 2021How Should We Talk About Justice?What we mean when we say “fair.”A response icon1A response icon1
